THE TAMING OF THE SHREW

A/Tom Hooper’s

B/  .Charles Chaplin’s

C/ Laurence Olivier’s

D/ Franco Zeffirelli's

E / Alfred Hitchcock’s

a/ In New York, USA in the late 1900s,

B/ In London, UK in the late 1800s,

c/ In Padua, Italy in the late 1500s,

d/ In Verona, in Italy in the late 1600s.

e/ In Paris, in France  in the late 1700s.

a/ Bianca

c/ Katherine

d/ Petruchio's

e/ Baptista 

 b/ Lucentio

 a/ Baptista

  b/Lucentio

 c/ Petruchio

 d/ Hortensio

   e/ Antonio

a/ Baptista  

b/Lucentio

c/ Petruchio

d/ Hortensio

e/ Antonio

a/ Katherine

b// Bianca 

c/ Anzhelika 

d/ Helen  

e/ Fiona

 a/ Helen

b// Bianca 

 c/ Anzhelika 

d/ Katherine

e/ Fiona

a/a rich house outside Padua

b/a poor house outside Padua

c/a castle in Verona

d/a palace in Rome

e/ a shabby house outside Pizza

a/ a student

b/ a seller

c/ a rich man

d/ an invalid

e/ the son of one of the most respected men in town

a/ healing ( ОЗДОРОВЛЕННЯ)

b/a feeling of sorrow

c/ ignoring ( ІГНОРУВАННЯ)

d/ subdual ( ПІДКОРЕННЯ)

e/ helping

PUSHED

FLICKED

KISSED

IGNORED

Petruchio is arriving with great pomposity, to Katherine's great pleasure. When he finally presents himself, he is dressed in the best groom's clothes. Nevertheless, at the wedding, according to Gremio's report, Petruchio behaves too familiar.

Petruchio is arriving for his wedding on time, to Katherine's greatest surprise. When he finally presents himself, he is dressed in smart clothes. At the wedding, according to Gremio's report, Petruchio behaves decently and demonstrates good manners.

Petruchio is late arriving for his wedding, to Katherine's great embarrassment. When he finally presents himself, he is dressed in rags. At the wedding, according to Gremio's report, Petruchio behaves proudly and abusively.

Petruchio is late arriving for his wedding, to Katherine's great embarrassment. When he finally presents himself, he is dressed in ridiculous clothes. At the wedding, according to Gremio's report, Petruchio behaves rudely and abusively.

Tranio, in disguise as Lucentio, helps Hortensio-as-Litio spy on Lucentio-as-Cambio, and later convinces the Merchant to act as Lucentio's father. 

Petruccio, in disguise as Lucentio, helps Hortensio-as-Litio spy on Lucentio-as-Cambio, and later convinces the Merchant to act as Lucentio's father. 

Gremio,in disguise as Lucentio, helps Hortensio-as-Litio spy on Lucentio-as-Cambio, and later convinces the Merchant to act as Lucentio's father. 

Hortensio, in disguise as Lucentio, helps Hortensio-as-Litio spy on Lucentio-as-Cambio, and later convinces the Merchant to act as Lucentio's father. 

Lucentio

Petruchio

Hortensio

Gremio

Bianca

Katherine

any of them

Petruchio

Lucentio

Gremio

Tranio

a/ Gremio b/ work

a/Tranio b/ trade

a/ Petruchio b/ business

a/ Lucentio b/ study

Lucentio's father

Baptista Minola

Petruchio's servant

Gremio's friend

Her father wanted to get rid of his shrewish daughter Katherine

Bianca was more beautiful and her father wished to get a lot of money for her.

Bianca's father was too strict in keeping to social rules and demonstrating good manners, According to these rules the eldest daughter had to be wed first.

Her strong love for Petruchio

Her strong desire to start a normal life and get a proper marital status.

Her wish to revenge and a great desire to make him love and respect her.

Elizabeth Taylor  and Richard Burton

Natasha Pyne and Michael York 

any of them

Handsome Tranio, foppish ( дурнуватий та пихатий ) Hortensio, and elderly Gremio.

Handsome Lucentio, foppish Hortensio, and boisterous Petruchio

Handsome Gremio, foppish Hortensio, and elderly Baptista.

Handsome Lucentio, foppish Hortensio, and elderly Gremio.

Instead, The Taming of the Shrew emphasizes the economic aspects of marriage—specifically, how economic considerations determine who marries whom. The play tends to explore romantic relationships from a social perspective, addressing the institutions of courtship and marriage rather than the inner passions of lovers.

Instead, The Taming of the Shrew emphasizes the romantic aspects of marriage—specifically, how feelings determine who marries whom. The play tends to explore romantic relationships from a social perspective, addressing the institutions of courtship and marriage rather than the inner passions of lovers.

When he meets Katherine, the two engage in a verbal contest of wits. Petruchio agrees to everything Katherine says, turns her words into pleasant compliments, and then announces that he plans to marry Katherine with her consent.

When he meets Katherine, the two engage in a verbal battle of wits. Petruchio contradicts most of the things Katherine says, turns her words into funny jokes, and then announces that they are too different and that he plans to marry Katherine only if she could change her -ill-tempered character.

When he meets Katherine, the two engage in a verbal battle of wits. Petruchio contradicts everything Katherine says, turns her words into dirty jokes, and then announces that he plans to marry Katherine with or without her consent. He will also tame her.

When he meets Katherine, the two engage in a sharp but pleasant battle of wits. Petruchio politely agrees to everything Katherine says, turns her words into pleasant jokes, and then unexpectedly announces that he plans to marry her sister Bianca.