MODERN PAINTINGEnglish art critics mark the astonishing variety of artistic directions and trends that appear and develop in modern painting. The history of British painting in the first decade of the 20th century is marked by a slow absorption of impressionist principles of light and colour.
He developed a personal version of Impressionism, favouring sombre colouration. Following Degas' advice, Sickert painted in the studio, working from drawings and memory as an escape from "the tyranny of nature". Sickert's earliest major works, dating from the late 1880s, were portrayals of scenes in London music halls, often depicted from complex and ambiguous points of view, so that the spatial relationship between the audience, performer and orchestra becomes confused, as figures gesture into space and others are reflected in mirrors.